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<br />HIDE THE GARAGE
<br />Most suburban houses give the ap-
<br />6pearancethat they are first of all places
<br />to park, turning to the world the blank
<br />and desolate face of a garage door. Neigh-
<br />borhoods look more pleasant when ga-
<br />rages are put behind the houses, accessi-
<br />ble by side yards or by alleys. •
<br />.~
<br />MIX HOUSING TYPES
<br />OF ALL THE WAYS TO IMPROVE THE SOCIAL AND PHYSICAL
<br />organization of the suburbs, none would be as subversive as
<br />breaking the monopoly of single-family detached homes: that
<br />endless alternation of "Crestwoods" and °Auroras" intended to
<br />foster the illusion of preference in buyers' choosing between four
<br />bedrooms and three bedrooms plus a den. Homogeneity is the very
<br />essence of the suburbs. Attached houses, rental units, shops or
<br />businesses-anything that might attract traffic and its attendant
<br />evil, a decline in property values-are banned.
<br />This is a fairly new phenomenon in human history. For most of
<br />the last 9,000 years, most people inhabited villages, where by
<br />definition nothing was very far from anything'else. As late as the
<br />1940s, for that matter, Memphis, Tenn., developer Henry Turley
<br />grew up in the kind of haphazard city neighborhood that is the
<br />despair of sensible planners: a jumble of stores, shacks, flats, walk-
<br />ups and decaying mansions, all suffused with the vivid street life
<br />neighbors made for themselves in the era before air conditioning
<br />lured them indoors. It is, of course, beyond the power of zoning to
<br />bring back those days, even if we wanted them back, but it may be
<br />possible to recapture some of the energy and spirit that character-
<br />ized American civic life before television clamped its monopoly on
<br />public discourse and entertainment. So in 1987, when Turley
<br />bought a 135-acre vacant plot on an island in the Mississippi five
<br />minutes from downtown Memphis, he embarked on a radically
<br />different kind of development, which began not by asking "What
<br />vill the county let me build?" or "What will the banks finance?" but
<br />'What kind of place do people want to live in?"
<br />The result was Harbor Town, intended to be "a slice of the
<br />avorld-the more complete and varied the better." There are
<br />louses ranging in price from Sll4,000 to 5425,000, which contrasts
<br />with a typical subdivision in Phoenix, Ariz., for example, where the
<br />seven basic models run the gamut from 5271,990 to 5316,990. There
<br />are town houses and apartments, and shops being planned. Devel-
<br />apershad tried mixing housing types in the "planned communities"
<br />of the 1970s, but in those each use was isolated in its ownthousand-
<br />acre quadrant; in Harbor Town they are all within a few blocks of
<br />each other. Turley seems to have decreed that instead of golf, the
<br />leading recreational activity would be chatting with neighbors
<br />while watching the sun set over the river, so he set the houses close
<br />together and built cozy village squares. The houses themselves are
<br />an eye-popping collection of styles, including Charlestown provin-
<br />cial, Cape Cod and Bauhaus modern, but they have an underlying
<br />unity based on materials (mostly clapboard or wood siding) and the
<br />ubiquitous new-urbanist amenity, porches. Turley expects to make
<br />money on the project, when it's completed in 1997, but he also has a
<br />higher aim. "Democracy assumes-demands-that we know, un-
<br />derstand and respect our fellow citizens," he says. "How can we
<br />appreciate them if we never see them?"
<br />PLANT TREES CURBSIDE
<br />Nothing humanizes a street more than
<br />8a row of trees shading the sidewalk.
<br />But they must be broad-leafed shade
<br />trees such as sycamores or chestnuts, not
<br />the dinky globular things like flowering
<br />pears that developers favor in parking
<br />lots. And they should be planted out at
<br />the curbline, where they will grow out to
<br />form a canopy over the roadway.
<br />Why don't more places have such an
<br />obvious amenity already? Because traffic
<br />engineers worry that people might drive
<br />into them.
<br />Strolling under a canopy of spring blossoms
<br />50 NEWSWF.EK MAY I I ,,
<br />5• 995
<br />IOHN HUMBLE
<br />Multicar garages turn an unwelcoming face to the street
<br />I11ANF: (:1 K)K~I.1•:N II•:~~IIF:
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