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:: - s <br />HIDE THE GARAGE <br />Most suburban houses give the ap- <br />6pearancethat they are first of all places <br />to park, turning to the world the blank <br />and desolate face of a garage door. Neigh- <br />borhoods look more pleasant when ga- <br />rages are put behind the houses, accessi- <br />ble by side yards or by alleys. • <br />.~ <br />MIX HOUSING TYPES <br />OF ALL THE WAYS TO IMPROVE THE SOCIAL AND PHYSICAL <br />organization of the suburbs, none would be as subversive as <br />breaking the monopoly of single-family detached homes: that <br />endless alternation of "Crestwoods" and °Auroras" intended to <br />foster the illusion of preference in buyers' choosing between four <br />bedrooms and three bedrooms plus a den. Homogeneity is the very <br />essence of the suburbs. Attached houses, rental units, shops or <br />businesses-anything that might attract traffic and its attendant <br />evil, a decline in property values-are banned. <br />This is a fairly new phenomenon in human history. For most of <br />the last 9,000 years, most people inhabited villages, where by <br />definition nothing was very far from anything'else. As late as the <br />1940s, for that matter, Memphis, Tenn., developer Henry Turley <br />grew up in the kind of haphazard city neighborhood that is the <br />despair of sensible planners: a jumble of stores, shacks, flats, walk- <br />ups and decaying mansions, all suffused with the vivid street life <br />neighbors made for themselves in the era before air conditioning <br />lured them indoors. It is, of course, beyond the power of zoning to <br />bring back those days, even if we wanted them back, but it may be <br />possible to recapture some of the energy and spirit that character- <br />ized American civic life before television clamped its monopoly on <br />public discourse and entertainment. So in 1987, when Turley <br />bought a 135-acre vacant plot on an island in the Mississippi five <br />minutes from downtown Memphis, he embarked on a radically <br />different kind of development, which began not by asking "What <br />vill the county let me build?" or "What will the banks finance?" but <br />'What kind of place do people want to live in?" <br />The result was Harbor Town, intended to be "a slice of the <br />avorld-the more complete and varied the better." There are <br />louses ranging in price from Sll4,000 to 5425,000, which contrasts <br />with a typical subdivision in Phoenix, Ariz., for example, where the <br />seven basic models run the gamut from 5271,990 to 5316,990. There <br />are town houses and apartments, and shops being planned. Devel- <br />apershad tried mixing housing types in the "planned communities" <br />of the 1970s, but in those each use was isolated in its ownthousand- <br />acre quadrant; in Harbor Town they are all within a few blocks of <br />each other. Turley seems to have decreed that instead of golf, the <br />leading recreational activity would be chatting with neighbors <br />while watching the sun set over the river, so he set the houses close <br />together and built cozy village squares. The houses themselves are <br />an eye-popping collection of styles, including Charlestown provin- <br />cial, Cape Cod and Bauhaus modern, but they have an underlying <br />unity based on materials (mostly clapboard or wood siding) and the <br />ubiquitous new-urbanist amenity, porches. Turley expects to make <br />money on the project, when it's completed in 1997, but he also has a <br />higher aim. "Democracy assumes-demands-that we know, un- <br />derstand and respect our fellow citizens," he says. "How can we <br />appreciate them if we never see them?" <br />PLANT TREES CURBSIDE <br />Nothing humanizes a street more than <br />8a row of trees shading the sidewalk. <br />But they must be broad-leafed shade <br />trees such as sycamores or chestnuts, not <br />the dinky globular things like flowering <br />pears that developers favor in parking <br />lots. And they should be planted out at <br />the curbline, where they will grow out to <br />form a canopy over the roadway. <br />Why don't more places have such an <br />obvious amenity already? Because traffic <br />engineers worry that people might drive <br />into them. <br />Strolling under a canopy of spring blossoms <br />50 NEWSWF.EK MAY I I ,, <br />5• 995 <br />IOHN HUMBLE <br />Multicar garages turn an unwelcoming face to the street <br />I11ANF: (:1 K)K~I.1•:N II•:~~IIF: <br />