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Weed Laws Article on Landscaping (John Marshall Law Review) Page 18 of 27 <br />for human use and enjoyment." 134 A weed law, as applied to natural landscapers, <br />denies the landscapers' ability to express themselves, through an activity statutorily <br />recognized as art. <br />Neighbors and government officials need not concur that the natural landscape is <br />"art" before First Amendment protection attaches. In interpreting art as speech <br />protected by the First Amendment, the court in Piarowski V. Illinois Community <br />College 135 stated, "[t]he freedom of speech and of the press protected by the First <br />Amendment has been interpeted to embrace purely artistic as well as political <br />expression (and entertainment that falls short of anyone's idea or art...)..." 136 <br />One of the most spectacular examples of natural landscaping as art lies in the heart <br />of Chicago's Grant Park. The Wild Flower Works II is the creation of Chicago artist <br />Chapman Kelly.137 Kelly sees his garden of wildflowers, legumes and other native <br />plants not merely as dirt and flowers, but rather a giant canvas on which he does his <br />"most spectacular work." 138 The ecological painting is a socio - political work that <br />symbolizes the proper role of humankind within Nature. <br />In 1988, when the Park District sought to have the Wild Flower Works plowed <br />under, Kelly went to court and obtained a temporary restraining order arguing his <br />First Amendment rights. The lawsuit was later settled by allowing the Wild Flower <br />Works to remain in Grant Park and the Park District to receive regular reports on its <br />maintenance. <br />"Gardening is the art that uses flowers and plants as paint and the soil and air as the <br />canvas - working with nature provides the technique." 139 More remarkable <br />examples of gardening as art are the efforts of the French Impressionist, Claude <br />Monet. Following the death of his wife, Monet moved to Giverny, France in 1883. <br />There he planted the gardens that were the subject of his most famous paintings. <br />Focusing on color relationships and the effects of light, Monet carefully arranged <br />pure colors in the abstract form of flowering plants to "create richly patterned <br />textures and mood by contrasting or homonizing color relationships." 14° In the <br />later, and most productive part of his career, Monet used his flower and water <br />gardens at Giverny as a living studio. "With the living, growing and changing <br />plants, always subject to light and weather, Monet created an organized <br />concentrated color environment where he could live, breathe, observe and walk, <br />forever having his painter's eye challenged by the effects of light." 141 Many of the <br />plants Monet employed, and much of the layout of the gardens, are the same or <br />similar to many of today's natural landscapes. <br />Enforcement of a weed law denies the artist the tools of her art, Nature. A city's <br />weed law enforcement is as devastating to a natural landscaper as declaring music a <br />nuisance would be to a musician. Absent a showing of some compelling municipal <br />interest, a city does not have the power to restrain a natural landscaper's freedom of <br />expression. The unjustified restraint of freedom of expression consitutes a violation <br />of the First Amendment. <br />http: / /www.epa.gov /glnpo /greenacres /weedlaws /JMLR.html 2/22/01 <br />