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������ ��I�� �a�� ������ ���h� <br />Maximum allowa6le he[ghts for street walls form an <br />important dimension influcncing the urban experience <br />because none of us, as pedestrians, can relate much to those <br />parts of buildings rhat exceed a certain human scale, Above <br />perhaps 50 feet, it is not only hard to notice what is <br />happening in a building, but the building itseif may produce a <br />feeling of alienation from the built environment. For this <br />reason alone, cities commonly have assumed that the heig'nt of <br />street walls should not be greater than I.5 times the width of <br />the street. Tn order to maintain a sense of proportion, the <br />step-back should continue che direcr line 6etween the <br />opposiee side of the street and the top of the street wall to the <br />6uilding's upper levels. For instance, a 1989 Doauntown <br />Hefght Study for Portland, Maine, suggested stepping back 15 <br />feet above the seteet wall for downtown buildings that mostly <br />were ranging in height from 45 to 9Q feet, a[though a few <br />along the core business district rose higher than 100 feet. <br />Ideal Street Wall Proportions <br />� <br />� <br />engineer's assessment that testing wind impacts on building <br />cladding and structure is essential when a building's •13eight <br />exceeds its width by a ratio oF5 ra 1. On the orher hand, <br />bu'cldings up to four stories high along streets about 66 feet wide <br />tend to produce shelter from wirzds, as noted in an acticle orz <br />Toronto's efEorts to znod'zfy wind velocities {see "Urban Form <br />and Climate," journad oftheAmeriean PlanningAssociution, <br />Spring 1995). Of course, such a pattern stays well within the <br />I.5 to 1 design proportion of height to sereet ��vidth cited earlier. <br />While weather patterns vary among cities, the fact rema€ns <br />that when the temperature is freezing and the wind is guscing, <br />urban wind tunnels can more than increase thcse speeds by half. <br />Wind speeds above about 40 miles per hour become a serious <br />hazard for pedestrians. Thus, mitigating wind patterns through <br />effective design regufation becomes a signiFicant prioeity. At the <br />same time, stepping bacEc upper levels of the building reduces <br />the size and volume of the resulting building shadow, thus <br />mitigating another k�actox e}zat can make winter streets uncom- <br />Tower Envefope <br />`, �\ <br />� <br />� �� � <br />.,,,owFn _.��, � � <br />� `, ` � <br />� <br />,' ��, ' � � <br />P' � <br />.�:' \\\�. \ � � <br />\' . <br />y�,' \��\ � g � <br />� �� � ` - <br />x� `�'�1�� ������� ����\���\\ �;� <br />� �� \�����\ � <br />� ���� \\\�\\ \\�\���\ <br />� � �� � �� \� �� � `�: � <br />, \ \ �\ <br />, . � �� �����\ `� �\� <br />s= �� �\V���� � ��\ � <br />/ 1� .��;;\\���`��\�\,�� ��� <br />� ., �� \\.��������\\����\��. i <br />At street level, of course, blank wails of any size can be <br />alienating. Probabiy about half of the wall space should consist <br />of openings in the fotm of doors ar windows; and this also can <br />be created through building design regulations, including <br />various types of incentives. <br />Stepping bacic the upper floots instead of allowiug a sheer wali <br />serves another purpose that aids pedestrians and thus increases <br />street traff'ic. The scep-bacic at highet levels breaks wind patterns <br />and reduces the propensiry for tall buildings to pour powerful <br />downdraEts to srreet 1eve1, creating the infamous wind tunnels that <br />plague some high-rise districts. In fact, the wedding-cake design is <br />one way to blunt the impact of swirling winds. New Yorlc City, <br />however, for a variery of reasons completely revised its zoning in <br />1961 to incorporate a"slcy exposure plane" concept that replaced <br />height districrs as a means of goveming building setbacks, This <br />device became a means oF measuring the sunlight penetration to <br />street 1eve1 allowed by a proposed building design. The same zoning <br />revision also introcluced fioor area raxios, which have since gained <br />wide acceptance etsewhere, as well as providing floor area bonuses <br />for plazas and other open space around new buildings. <br />Currendy, New Yoriz is again undertaking a revision of its <br />height and bullc regulations. Scheduled far January 31 is a third <br />City Planning Commission on a proposed Unified Butic Ordinance <br />(see "The Big Apple Gets a i,ittle Smaller," March 2000). <br />The wind issue, hocvever, is iinpartant to building owners as <br />� well as planners and pedestrians because of legat issues invoiving <br />]rabiliry for wind-related injuries induced by questionable <br />building design. In an article in Urb�n Lancl ("Testing the <br />Winds," October 2987), Terry Jill Lassar notes a Colorado wind <br />Alternative Tower Envelo <br />fortable, Needless to say, corzzbining long shadows, which <br />reduce microclimate temperature, with how[ing winds can make <br />some streetscapes almost completely inhospicable. <br />������i��a �� ��a��� L���t� <br />Context matters in regulating building heights. Achieviag some degree <br />of consistency in building height is important not only wit(un a <br />district, but between neighboring districts. The rule oE thumb seen�s to <br />be that a wise gradatian of allowable building heights between adjacent <br />zoning districts is about 50 percent. In other words, a distt'rct that <br />allows a maxirnum height of 80 feec could safely adjoia another, <br />presumably closet to the center, that allows I20 Feet, w6ich in turn <br />could yield to another that allowed up to 18Q feet. Cieatly, there is <br />room foz compromise uader special circumstances, but rhe ovecall idea <br />is to ratchet up the allowable height gradua[1y. Lilce step-backs above <br />saeet waI(s, this affects wind patterns because a 300-foot bui(ding ne�cr <br />to chree-story apattment buildings is bound to introduce disruprions ia <br />wind patterns that a more fine[y graded urban pattern might mitigate. <br />In addition, the shadowing effect on neighboring tall buildings is Iess <br />than t[Ie effecr produced when tk�ere is a sharp diffexential. <br />Cities often use more elaborate means of regulating height <br />and bulk than simply imposing height limits. F1oor area ratios <br />(FAR) are commonly used co permit greater flexibility in <br />build'tng design and to encourage both the trimming of bnik at <br />higher levels and the greater preservation of ground-level open <br />space. These measures also can increase real estate vafues by <br />�roviding more views at higher elevations. Although the use of <br />FAR regulations intraduces grearer pocential variation in actual <br />building height, the zoning ordinance can still apply much the <br />