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Page 6 <br />from throughout the area; one need not work or live in the 10 -city area to be <br />active with them. It should be possible for staff to reserve a truck, recruit <br />volunteers, and continue to produce events such as the Festival in the Park <br />parade. Should Mounds View withdrawing from the joint powers commission, <br />staff anticipates that volunteers would not be forthcoming and that the NSAC <br />would not be interested in City staff using the production resources. NSAC has <br />been pursuing outside income opportunities, and rental of the mobile production <br />truck is one of services. It might be possible to rent the truck after a withdrawal <br />from the Commission. Finding a crew would continue to be an issue. Hiring <br />freelance professionals to operate all of the equipment would likely be cost <br />prohibitive. <br />o Access to portable equipment, including additional camcorders, microphones, <br />light kits, cables, portable mixers, and other such gear. <br />Rental equipment is available through a variety of sources in the Twin Cities. IFP <br />Minnesota is a non-profit arts organization with equipment and facilities rental for <br />members. Membership is $85/year. Camera rental starts at $55/day, tripods from <br />$8/day, light kits from $25/day, with several other types of equipment available. <br />Some of the commercial rental houses are Cinequipt, Alpha Video, and Tierney <br />Brothers. At Cinequipt, a Panasonic AG-DVX100 miniDV camera, the same <br />camera available from CTV/NSAC, rents for $145/day. <br />o Access to volunteers to operate such equipment. <br />Producing large events such as the parade or meetings in the Community Center <br />requires, depending on the scale of the event, crews of 5-15 people. These have <br />been volunteers with NSAC. Without access to them, the options are hiring <br />freelance crew and/or recruiting and training local volunteers. <br />o Access to royalty -free music library. <br />Staff has access to thousands of tracks of royalty -free music purchased by <br />NSAC for television production. Without access to the NSAC music library, <br />alternatives for production music must be found. There are many options, from <br />purchase of individual tracks, purchase of collections, to subscription models. <br />There are a few limited resources available at no cost. Programs exist to <br />generate music, but they are most effective when used by persons with training <br />in musical composition. <br />o Access to training for staff. <br />Staff have been able to participate in classes and seminars at CTV through the <br />Municipal Assistance program. The courses are generally at a basic skill level, <br />and are tailored to the use of CTV equipment. They have been useful in <br />providing basic training and access to equipment to new staff, as well as more <br />information on specialty equipment, such as the video switchers. Training <br />through NSAC should continue to remain available through the non-resident <br />fees. Many companies provide training on video equipment and concepts, <br />including IFP Minnesota, GeniusDV, and Minnesota School of Business. <br />o Access to the programming and technical services through the Municipal <br />Assistance program. <br />The city has taken advantage of the 100 hours" available from CTV in the <br />Municipal Assistance program. This has been a combination of production <br />