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ACCELERATION �1 <br /> last inch of useful traction on the exit of all-out ones that require that you do The risk itself is only another vivid lit- <br /> the turn. something as hard or fast or long as you tle intensifier, a psychological enhancer • <br /> (It is equally involved in deceleration, can—are routinized ways of firing off that further sharpens the sensory mes- <br /> f course. Braking a car in racing has al- every neuron you can summon up. sage. Maybe that's why many racing <br /> ways seemed to me to be one of the That's where the fun lies, where the drivers and other high-risk athletes and <br /> most elegant problems in sports. You thrill comes in. Even in high-risk sports performers can be so blase about <br /> have to select the latest possible mo- such as motor racing, the thrill isn't threats to their lives and limbs. They're <br /> ment that you can apply the brakes to from exposing yourself to danger having too much fun—experiencing too <br /> slow the car just enough to go through (ABC's "Wide World of Sports" to the much in the way of sensory fireworks— <br /> the corner at the fastest possible speed. contrary notwithstanding), but from the to pay much attention to inconsequen- <br /> You must apply the brakes as hard as bombardment of sensory stimuli. It may tial matters like risk. That may not be <br /> possible for the shortest possible time not be socially redeeming, but it also is very smart—and also may not be socially <br /> that will bring the tire surfaces to the not the acting-out of some Freudian redeeming—but it's a lot less scary than <br /> point just short of sliding.Your job is to death wish. It's just enjoying your nerve the idea that our heroes have this secret <br /> approach, but not exceed, these values. endings. Cigar smokers and brandy lust to crisp themselves in a ball of <br /> You can't tell when you exceed any of sniffers can make the same claim. flame. e <br /> them until you do so. It is a problem of <br /> adjustable negatives, of going faster by <br /> decreasing less. Done right it is a dem- <br /> onstration of major-league powers of <br /> proprioception.) <br /> Sounds like fun to me.Anyway, that,I <br /> think, is why acceleration is such a kick. <br /> It's a great deal more than some touch <br /> sensors on your butt and your semicir- <br /> cular canals (but it's also that,too,some \ k <br /> outrageous signaling from those dumb <br /> organs). It's fun because of that entire <br /> great, thrusting sensory load, all those �41";' <br /> neurons crackling away, telling you how ► t` <br /> alive you are. Acceleration is a sensory <br /> intensifier. <br /> Most sports—at least the high-effort, <br /> • / <br /> MAY 13£3 ;,�i li•• y�4 7 -�: fi+ ':: a✓�7 yjb!; �' <br /> • <br />